Curatorial Affairs | Review by Mark Harley
Where does one start writing about Allan Gardner’s most recent work? It’s been almost a week since Indifferent Stars opened up on September 7th at No Gallery in New York, and I’m not sure I’ve gotten any closer to finding my entry point. This is not because I have trouble finding something to say, but instead because the work exists on multiple, almost entirely discrete thematic and operational levels, none of which are privileged above the other. How does one write incisively about work when any description necessary occludes equally present meanings?